jueves, 30 de junio de 2016

Herramientas que te ayudarán en tu estrategia digital de servicio al cliente

El servicio al cliente es una de las mejores estrategias de marketing con que las marcas logran mantener una relación con el consumidor a través de una experiencia en donde la atención ayuda a crear dos objetivos básicos: fidelización e influencia en próximas decisiones de compra.

En la actualidad esta estrategia ha tenido que ser aterrizada al contexto digital en que interactúan marcas y consumidores por lo que las siguientes herramientas ayudan a una estrategia de atención al cliente dentro de estas plataformas.

HappyFox

Es un help desk web que ofrece soluciones de soporte al cliente con funciones que ayudan a organizar el proceso en que se apoya la atención con el uso de correo electrónico, plataforma web, chat en línea y atención telefónica.

Support

Support es una plataforma desarrollada por Intercom y consiste en una herramienta que en una sola pantalla administra todos los correos enviados por los clientes a la cuenta de la marca o compañía, que puede ser administrada por los miembros del equipo al mismo tiempo, permitiendo observar en tiempo real la actividad que están realizado atendiendo a los clientes además de que permite ver un perfil detallado de estos últimos, generalmente destacando su actividad dentro de la web en la que ingresó su pregunta.

Disqus
Es un plugin de comentarios que permite a los clientes subir de manera pública sus comentarios o preguntas, ayudando a que no solo miembros del equipo de la marca o la compañía respondan, también los usuarios pueden apoyar con respuestas lo que supone un aumento en los comentarios con que cuenta la página.

Freshdesk

Esta herramienta e un software que permite a la compañía atender todo tipo de quejas o preguntas sin importar el medio por el cual se hicieron. Ya sea teléfono, correo electrónico o comentario en el portal web. Incluso permite revisar comentarios en redes sociales y generar un ticket de soporte por cada una de estas preguntas hechas por el cliente.

Sirportly

Esta herramienta cuenta con una plataforma que permite a los miembros del equipo de atención al cliente, interactuar en tiempo real con sus preguntas además de permitir al administrador asignar tareas a miembros del equipo, ya sea desde una computadora o un smartphone, ya que este servicio cuenta con una aplicación para App Store o Google Play. Cuenta además con un API que permite a la plataforma interactuar con otras herramientas.

Por último, frente a estas herramientas es importante mencionar un dato de cómo es percibida la atención al cliente en México, específicamente a través de la banca móvil, lo que puede ayudar a aterrizar la funcionalidad de las soluciones antes mostradas al mercado mexicano.

banca

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Campañas sociales con creativas estrategias de social media marketing

¿Por qué la nueva versión de Android se llamará Nougat?

Android es el sistema operativo de teléfonos móviles más popular del mundo, tiene más del 80 por ciento del market share y existen varias versiones casi todas con nombres de dulces. Ahora se reveló que la próxima versión se llamará Nougat.

Cupcake, Donut, Eclair, Froyo, Gingerbread, Honeycomb, Ice Cream Sandwich, Jelly Bean , Kit Kat, Lollipop y Marshmallow. Esos son los nombres de las versiones de Android que existen en el mercado. Desde hace tiempo se sabe que la versión 7 comenzaría con la letra N, porque siguen un orden alfabético, y hoy se reveló que es de Nougat, como el dulce de miel y almendras.

De acuerdo con un reporte de CNet, el anuncio lo hizo Hiroshi Lockheimer, encargado del desarrollo de Android en Google. Semanas atrás se especulaba que el nombre sería Nutella o Nerds (es una marca de dulces) pero ganó Nougat.

Se espera que las próximas versiones de Android tengan mayores capacidades para utilizarse como dispositivos de realidad virtual, el mismo Google cuenta con Cardboard para impulsar la adopción del VR.

Android comenzó a desarrollarse en 2007, cuando todavía era popular BlackBerry, marca que hoy es la víctima mortal del sistema de Google. Por cierto, a principios de este año se reveló cuánto dinero representa Android para la compañía de tecnología: 31 mil millones dólares, de los cuales 22 mil millones son ganancias.

Android es el líder en el mercado de los smartphones gracias a su plataforma abierta a decenas de marcas, mientras que su principal competidor es iOS de Apple, que para ser distribuido por un solo fabricante el 15 por ciento del market share es una posición importante.

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18 best branded Instagram videos of 2016 (so far)

miércoles, 29 de junio de 2016

¿Espiar al usuario para segmentar mejor? El dilema para Facebook

El modelo de negocios de la mayoría de plataformas web, es aprovechar sus audiencias ofreciendo espacios publicitarios con públicos segmentados con gran precisión gracias a las posibilidades que los medios digitales ofrecen, no obstante, el afán por ofrecer información cada vez más específica a los anunciantes, puede llegar a cruzar la línea con el tema de la privacidad y lo que sería considerado como espiar a los usuarios.

Claro está que cualquier usuario de servicios como Facebook, acepta en los términos y condiciones del servicio cuando crea su cuenta, sin embargo,  la realidad es que muy poca gente lee el contrato, y por tanto, ignora cómo son usados sus datos personales, así como los datos derivados de su interacción con la plataforma (likes, shares, follows, etc).

En días recientes trascendió la noticia de que Facebook escucha las conversaciones por medio del micrófono de los smartphones, esto con el fin de detectar palabras clave que disparan anuncios. Sin embargo, el tema no era realmente nuevo, pero causó gran impacto mediático debido a que se trataba de una función poco conocida.

Asimismo, las conversaciones en texto dentro del ecosistema de Facebook, pueden ayudar a identificar los intereses del usuario y mostrarle publicidad acorde con ellos.

Ahora también ha comenzado a sobresalir el uso de la geolocalización como factor que determina las sugerencias de amigos, lo cual puede significar un impulso para aumentar la ya gigantesca base de usuarios de Facebook, y con ello, agregar valor a los datos que la empresa puede ofrecer a los anunciantes para colocar sus anuncios.

Sin embargo, a pesar de la poca importancia que los usuarios parecen manifestar respecto a la utilización de sus datos personales, el auge de servicios como Snapchat, donde los contenidos se convierten en algo desechable y que por lo tanto no se almacena en servidores externos, es también un reflejo de cómo el modelo de negocios de Facebook no se encuentra tan asegurado hacia el futuro, lo cual también puede deducirse a partir de la paulatina baja en el número de contenidos compartidos dentro de la red social de Mark Zuckerberg.

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martes, 28 de junio de 2016

#NoTeVayasLio: Spotify también se sumó el ruego por Messi

5 datos sobre native advertising y su futuro en los próximos 5 años

El native advertising es un tema que está convirtiéndose en tendencia este año en el mundo de la publicidad y mercadotecnia, cada vez son más las marcas que invierten en este recurso para ganar presencia entre los consumidores.

No es para menos, las proyecciones señalan que para 2018 la inversión en publicidad nativa en regiones como Norteamérica superará los 22 mil millones de dólares, según datos de consultoras como IAB y eMarketer.

Lo que sucede es que los ‘native ads’ o publicidad que tiene la apariencia de un contenido editorial del sitio que lo alberga está ganando la confianza de las marcas que buscan hacer contacto con los consumidores cada vez más renuentes a encontrar publicidad en internet.

A continuación te compartimos 5 datos sobre el native advertising y su futuro en los próximos 5 años:

1. Un reciente reporte de IAB, PwC y IHS señala que para 2021 los ingresos procedentes del native display en Estados Unidos -abarca sitios web como redes sociales- representarán hasta el 72 por ciento de los ingresos totales de anuncios gráficos, un crecimiento substantivo si se considera que se estima que este año será del 56 por ciento.

2. El native advertising registrará una tasa de crecimiento sostenida del 17 por ciento durante los siguientes cinco años, hasta alcanzar los 36 mil millones de dólares, de acuerdo con el reporte.

3. Las redes sociales seguirán dominando.En particular se mantendrán Facebook, Instagram, Snapchat, incluso Twitter.

4. Según un estudio de BI Intelligence, la publicidad nativa se definirá en tres categorías: social native, native-style display, and sponsored content (also referred to as premium native).

5. Proyecciones de Cisco apuntan que las redes de distribución de contenidos llevarán el 64 por ciento de todo el tráfico de Internet en 2020, otro crecimiento substancial respecto a lo registrado en 2015 que fue del 45 por ciento.

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9 apps de gran ayuda para todo community manager

Los community manager son una pieza fundamental en el equipo de mercadotecnia y relaciones públicas de las marcas o grandes compañías, lo mismo son agentes creativos del marketing enfocados a incrementar el engagement de una marca, que la voz para atender las relaciones públicas o resolver una crisis en redes sociales, entre tantas otras funciones que cumplen.

Por ello, actualmente es una de las profesiones que percibe salarios competitivos. Tan sólo en Estados Unidos, durante 2015 fue la profesión mejor pagada, hasta un salario anual de 68 mil 240 dólares, según datos de Statista.

Ahora, si estás estudiando mercadotecnia, comunicación, publicidad o cualquier otra carrera relacionada con los community manager y buscas especializarte en esta área, te compartimos 9 apps que te serán de gran ayuda.

Contenidos
1. BitLy: Un acortador de urls que además permite llevar un control de las estadísticas de los clics que tienen los links publicados.

2. Tagboard: Los hashtags cada vez son más comunes en las redes sociales por lo que contar con una herramienta que permite encontrar las etiquetas más populares, así como saber quién las emplea es de gran ayuda.

3. Hootsuit. Administrar desde una sola herramienta más de una red social es de gran ayuda para los CM, sobre todo cuando deben tener un control de horarios y tipo de contenidos por cada una de las cuentas que manejan.

Diseño
1. Canva: Permite hacer diseños básicos para publicaciones en Facebook, o generar banners, flayers, gráficos, etc.

2. Infogr.am. El lenguaje visual es lo mejor en redes sociales, además, la optimización de la información es muy importante. Esta herramienta permite generar diagramas, tablas e inforgrafías.

3. iStock’s. Un banco de imágenes que permite su uso sin costo.

Engagement
1. Likealyzer. Una excelente herramienta para medir el engagement propio y el de la competencia en Facebook. También permite medir el promedio de publicaciones diarias y el porcentaje de engagement generado por fotos, videos y links.

2. Mention Mapp. Se puede dar seguimiento al mapa de interacciones en Twitter, ayuda para encontrar influenciadores y hashtags.

3. Iconosquare: Una herramienta que te permite hacer analytics y medir el engagement de tus publicaciones en Instagram, además es de gran ayuda para optimizar tu estrategia en esta red social.

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17 inspirational examples of data visualization

We can all collect masses of data, but it only becomes genuinely useful when we use it to make a clear point.

This is where data visualization comes in. Showing data in context and using creativity to make that same data tell a story can truly bring the numbers to life.

There are a whole bunch of data visualization tools out there to help create your own, but here are some existing examples for inspiration.

A day in the life of Americans

This excellent visualization from Flowing data uses information from the American Time Use Survey to show what Americans are up to at any time of day.

day

What streaming services pay artists

This from the wonderful information is beautiful website, looks at how the major online streaming music services compare in terms of paying the musicians.

streaming pay

Two centuries of US immigration

This fantastic visualization from metrocosm shows the various waves of immigration into the United States from the 19th century to the present day.

us immigration

US population trends over time

This gif from the Pew Research Center is a great example of how movement can be used to convey shifts and trends over time.

pew gif

Why you should take the bus

The German town of Münster produced this series of images back in 1991 to encourage bus use. It’s beautifully simple showing the relative impact of the same number of people (72) on bicycles, in cars, or on a bus.

munster

What happens in an internet minute?

This infographic from excelacom presents what happens online in 60 seconds, including:

  • 150 million emails are sent.
  • 1,389 Uber rides.
  • 527,760 photos shared on Snapchat.
  • 51,000 app downloads on Apple’s App Store.
  • $203,596 in sales on Amazon.com.

Excelacom_InternetMinute2016

US wind map

This moving visualization shows wind speed and direction in real time.

It looks great and is easy to understand, which is key to effect data visualization. This one comes from hint.fm.

wind map

Daily routines of creative people

I’ve always been pretty cynical about this ‘X things successful people do before breakfast’ stuff – as if by following this, people are suddenly going to become Steve Jobs or Albert Einstein.

However, this one from podio showing daily routines of creative people is very interesting. It won’t turn you into a great composer, but it’s a fascinating insight nonetheless.

routines

The impact of vaccines

This is a series of visualizations from the Wall Street Journal, which shows the impact of vaccines on various infectious diseases.

It’s striking stuff, which clearly demonstrates the incredible positive impact of vaccination programs in the US.

vaccine impact

London food hygeine

This is a great use of freely available data to provide useful information for the public.

london hygeine

The one million tweet map

This uses tweet data to present a geographical representation of where people tweet about topics. The example below is for ‘Brexit‘.

1m tweet map

The fallen of WW2

This, from Neil Halloran is a cross between data visualization and documentary.

ww2

There are two versions of this. The video version you can see embedded below, and an interactive version.

People living on earth

A simple but very effective visualization of the world’s population, and the speed at which it increases.

earth

The ultimate data dog

This, again from Information is Beautiful, uses data on the intelligence and other characteristics of dog breeds, plotting this against data on the popularity of various breeds from the American Kennel Club.

data dog

How much did band members contribute to each Beatles album? 

This from Mike Moore, shows the relative writing percentage for each Beatles album, as well as the contribution over time.

The Beatles

A day on the London Underground

From Will Gallia, who used data from a single day’s use of the London underground to produce this timelapse visualization.

Fish Pharm

This is from way back in 2010, and illustrates the fact that antidepressants and other pharmaceuticals are now showing up in fish tissue.

fishpills



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El “poder no está en la tecnología sino en la gente”: Teresa Galante, jurado española de Cyber en Cannes Lions

La edición 2016 del Festival de Cannes Lions acaba de finalizar, pero mientras se desarrollaban sus numerosos eventos, Merca2.0 ha tenido la oportunidad de conversar personalmente con Teresa Galante, Supervisora Creativa Digital de la agencia Shackleton Madrid y jurado de la categoría de Cyber, sobre la experiencia de premiar lo mejor de la creatividad mundial.

Merca2.0: ¿Cómo ha sido tu experiencia como jurado en Cannes Lions?

Teresa Galante: No solo me ha cambiado completamente la visión, sino como decíamos muchos jurados, es una experiencia que nos ha cambiado la vida.

Hemos sido un jurado muy compenetrado. Esperaba otra cosa. No ha habido grandes egos, ni discusiones feas. Ha sido siempre un debate muy saludable. Muy bonito, de ideas, de compartir impresiones.

Creo que la presidenta del jurado ha hecho una gran labor de intentar que el debate fuera muy diverso, que todos participáramos y diéramos nuestra opinión; y eso ha enriquecido mucho el proceso y nos ha ayudado mucho a llegar a una lista de ganadores con la que todos estamos de acuerdo.

Mirábamos la lista y nos dimos cuenta de que estábamos muy contentos con la lista de premios a la que habíamos llegado.

Merca2.0: ¿Se quedó algún trabajo que hubieses deseado que pasara?

Teresa Galante: Creo que no. Porque también tienes que pensar un poco, cuando haces esa lista, la importancia del festival y que mensaje estas dando con esa lista de ganadores. Pero si he encontrado que han quedado fuera del shortlist, trabajos que están muy bien ejecutados y muy bien pensados. Algunas cosas que quiero compartir con mis compañeros de la agencia (Shackleton Madrid) cuando vuelva.

Merca2.0: ¿Te llevas algún aprendizaje respecto al medio digital?

Teresa Galante: Me he dado cuenta del poder que tiene el medio digital. La importancia que tiene en todas las campañas. Hacia tiempo que todas las campañas tienen que se integradas y todos lo sabemos, pero durante mucho tiempo la integración ocurría del off al online. Ocurría algo en el offline que luego tenía una reflejo en digital y ahí es cuando estallaba.

He visto mucho trabajo este año que funciona justo al revés. Son campañas que se lanzan en el medio digital y terminan impactando en el offline.

He entendido el poder de los medios digitales, y el segundo aprendizaje, es que ese poder no está en la tecnología sino en la gente. Es la gente quien conduce eso. Es súper importante el usuario. Ser capaz de enamorarle, y dejar que juegue con tu campaña.

Muchas de las ideas que más nos han gustado son aquellas en las que la tecnología desaparece. En los dos Grand Prix presentados esta mañana, que son Justino y The Next Rembrandt, en la ejecución no ves la tecnología. En un caso te quedas con la historia de Justino y en el otro caso es un cuadro. Son imposibles sin la tecnología, pero no es lo más importante. (…) La tecnología es el medio, no es el fin.

Merca2.0: En el caso del Gran Premio otorgado a Justino, campaña que reconoce la labor de las agencias españolas, ¿lo veían como un Gran Prix desde el comienzo?

Teresa Galante: Justino ha ido creciendo poco a poco, a medida que avanzábamos entre todos hemos ido estableciendo a lo largo de la semana, cuales eran los filtros que queríamos para las campañas. Y entre todos hemos ido decidiendo cuales eran las condiciones que debían de cumplir las piezas para ir levantándolas.

Alguien dijo en una de las reuniones que el trabajo nos iba a encontrar a nosotros y ha sido un poco así. Justino nos ha encontrado.

Para mi era muy importante que se entendiera la dimensión real de Justino. Primero el impacto que tuvo en su momento en nuestro país y segundo como estuvo concebida la campaña.

Creo que muchos conocían la película, porque se hizo viral muy rápidamente, pero no todos conocían el hecho de que era una campaña multiplataforma. He sido muy cuidadosa y quería que todos entendieran que existía un perfil de Facebook y una cuenta de Instagram que estaban ejecutados en forma brillante en cuanto al visual y en cuanto al contenido.

Merca2.0: ¿Cuál ha sido la aportación personal que te ha brindado ser jurado en Cannes Lions?

Teresa Galante: Me llevo diecinueve amigos. Hemos tenido una experiencia de equipo durante todo el proceso. Hemos vivido muchas emociones juntos, porque es un proceso muy emocionante. Es una experiencia que nos ha cambiado a muchos niveles, y a nivel personal también.

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“Nos ha ganado un país con más volcanes que futbolistas”

Urban Decay lanza app para ‘probar’ más de 100 colores de pinturas de labios

La marca de cosméticos acaba de lanzar su línea de pintura de labios bautizada ‘Vice’ que cuenta con más de 100 tonos diferentes, lo que puede resultar en un extenuante proceso si se deciden probar todos en los establecimientos físicos, lo que ha llevado a esta empresa a ofrecer una solución inteligente y a tono con las nuevas tecnologías.

Para ayudar a las consumidoras en esta tarea, y con ello mostrarles cuales son los colores que más le favorecen (o elegir los que más gustan), Urban Decay ha creado esta aplicación disponible para los sistemas Android e iOS y que funcionaria de forma similar a la app de búsqueda de pareja, Tinder. La diferencia se encuentra en que se busca conectar a la usuaria con los colores de pintura que mejor le vengan, en vez de buscarle posibles match amorosos.

De esta forma la marca logra que esta extensa colección de pinturas de labio sea menos agobiante para las potenciales consumidoras, al disminuir el estrés generado durante la prueba del producto en las tiendas físicas, al realizarlo con anterioridad en el lugar que decida la usuaria.

urban decay

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lunes, 27 de junio de 2016

Why Photoshop is no longer an “extra” skill for modern marketers

Photoshop used to be considered an “extra” kind of skill for your average marketer. Now, things have changed, and to be a great marketer knowing Adobe Photoshop is not only extremely valuable, but becoming essential for marketing success.

Marketing is no longer about simply being creative with your content and thinking about audience, it’s about actually creating visual content and understanding what type of visual content is going to draw in the right viewers.

Employers want a marketer who is able to work in this new-age marketing world, so the quicker you can learn the basics for marketing, the better.

Five reasons Photoshop is a necessary skill

Consider five of the top reasons that a working proficiency in Photoshop is so necessary for today’s successful marketer:

1) Winning social media marketing

Just having the ability to edit and enhance photos for social media is a skill worthy of high praise these days.

You can absolutely tell the difference between content that has been carefully considered and creatively enhanced on Photoshop vs. a photo that was posted without any attention to detail.

With all of the social marketing taking place, the ability to make content stand out is incredibly important.

In addition to being able to edit your photos and add text where you need it, Photoshop also gives you a lot of control of sizing images, which is incredibly important for social media banners, posts, and profile pictures.

Things just ultimately look more professional when they are sized correctly, and since every social site has an optimal pixel size, you can take control of this and market your brand in the best possible way.

2) Marketers wear multiple hats

Being a marketer in today’s world means that you need to have the ability to wear multiple hats in your day to day.

You may need to design an eBook, PowerPoint presentation, social media image, website banner, advertisement, etc. At this point you might not consider yourself a designer, but trust me when I say, if you can jump in to taking on some of these tasks without having to communicate your vision to a “designer” you are going to be a better marketer.

Here’s a great break down of how to get started with Photoshop from Anum Hussain on HubSpot. I appreciate their perspective on not necessarily being a designer by training, but having the ability to get started with Photoshop as a marketer!

photoshop

3) Money talks

Businesses are increasingly trying to get a lot of work done in-house rather than outsourced. This is because it saves them time and money. As such, companies are starting to value additional skills in marketers, as they know it will save them money in the long term.

This is a win-win situation because marketers who possess skills like Photoshop generally make more money, and businesses who hire these individuals tend to save money. I would say if there was one reason to invest time into learning this skill, it is the financial opportunity as a marketer.

4) Skill payoff

Photoshop definitely takes time and energy to learn, there is no doubt about it, yet learning how to use Photoshop pays off very quickly for both you as a marketer and the company at large.

If you think about all the times in a day that you could be directly editing, transforming, and altering marketing materials for your company, it is easy to see how the time spent learning this skill could help you nearly every day in your job as a marketer.

Further, improving the quality of images on social media, or presentation of images on your website, also in-turn helps the company at large to be successful

5) Take on new and creative projects.

One of the things I really like as a marketer is the creative projects you can take on once you acquire this skill.

Photoshop is definitely a space for creativity and there are few restrictions on the kind of work that you can do in the program.

Since developing new content is one of the top ways to be a successful online marketer, taking a creative approach and being able to think outside the box using this program is an essential online marketing skill.

What you can DO with Photoshop

Once again, Photoshop is such a valuable skill as a marketer not only because you are likely making more money and saving your company money by possessing this knowledge, but you can be creative with the acquisition of this new skill.

This gives you the ability to wear multiple hats more seamlessly and take on new challenges you hadn’t considered.

But just what exactly can you DO with Photoshop? Here is a list of some things you can do with this skill, many which you’ve probably considered and others that you haven’t:

  • Edit and enhance photos
  • Create pixel-appropriate banners and social media images
  • Develop and revamp your website design and layout
  • Add more high-quality images to your blog
  • Use your own photographs in a way that looks professional
  • Create your own custom documents
  • Crisp vectors and easy dotted lines
  • Color fill and text wrap
  • Design t-shirts and other promotional materials
  • Restore old photos
  • Make images and content more vibrant
  • Correct images that are lacking quality
  • Develop unique and eye-catching advertisements
  • Modernize your web design
  • Unique email marketing designs and formats, designed by you!

This list is not exhaustive by any means, but it gives you a sense of the unique ways you can use Photoshop. Ultimately, you have a powerful tool at your fingertips which can make your business stand out in a marketing campaign.

Other design tools

If you are interested in looking in to free tools, there are 21 free design tools for visual marketers that may also aid you in the process.

My three favorites are:

Google Fonts: A directory of over 600 different fonts (you really can’t go wrong here)!

google fonts

Pixar and/or Sumopaint: Photo editors that incorporate easily with Photoshop.

sumopaint

Canva: Makes design “drag and drop easy.” Create Facebook cover photos, email banners, posters, event invitation graphics, and more!

canva

Do you have experience using Photoshop as a marketer? What do you tend to use it for the most? Let us know in the comments section below.



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viernes, 24 de junio de 2016

YouTube competirá con Facebook Live y Periscope

El consumo de video a través de dispositivos móviles creció 35 por ciento en el último año, de acuerdo a datos de Global Video Index.

YouTube es la plataforma de video más grande del mundo, sin embargo, cuando Periscope fue lanzado por Twitter hace poco más de un año y la reciente activación de Facebook Live por parte de la red social de Mark Zuckerberg, el streaming de video en vivo se ha vuelto muy popular tanto para los usuarios como para un gran número de marcas.

Para competir en el mismo sector, la plataforma de Google anunció su propia propuesta. Se trata de YouTube Live, que permite a los usuarios hacer streaming de video en vivo a través de dispositivos móviles y, según aseguran desde Mountain View, “es más rápido y más fiable que sus rivales”.

El streaming en video en vivo ha crecido mucho en popularidad, no sólo entre los usuarios que se han convertido en productores, además de audiencias, ahora las marcas han sabido explotar de formas más creativas y redituables este tipo de función en las redes sociales. Tan sólo se estima que 75 de cada 100 personas han visto un video por streaming, según información de ConsumerLab TV & Media.

Algunos medios como CNN, BBC o Huffington Post, la NFL, NBA y CBS, así como Red Bull, Burberry, y Chanel, entre otras han explotado este recurso.

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How to speak ‘Search Engine’

The challenge of how to ‘speak’ search engine and tell it how to surface our content is what Search Engine Optimisation is all about. But are we doing it as well as we could?

Christian J. Ward, partnerships lead at Yext, gave a webinar in partnership with Brighton SEO on ‘How to Speak Search Engine’, in which he looked at the current state of search and the problems inherent in how we produce the content that we expect search engines to find.

Search has changed dramatically since Google first began indexing the web in 1998, both in scale and in nature. Google alone executes more than two trillion searches every year – a scale that we can barely comprehend. Search, said Ward, is not just a process for a brand; it’s becoming the number one way that we interact with information generally.

But the way that we search has changed, too. At a recent CMA Digital Breakfast, digital journalist Adam Tinworth remarked that Google is becoming “much more of an answer engine” than a search engine – searches are increasingly phrased in the form of a question, and innovations like the Knowledge Graph and Featured Snippets aim to answer searchers’ questions without them needing to leave Google.

one great answer

We all want Google’s ‘answer engine’ to surface our content in response to searcher queries. One way to help ensure this happens is to write content that will satisfy questions that users might have when coming to our websites.

But even once we have, how can we direct Google and other search engines to the content that will provide the best answer?

Feeding baby Google

To illustrate a problem inherent with the way that we approach content online, Ward used an image which has to be the best depiction of ‘peak content’ that I’ve seen so far.

A presentation slide featuring a photo of an unhappy looking baby being fed with a spoon. The baby is wearing a bib with the word "Googoo" made up of letters from Google's old logo. To the left is a list of content types: Blogs, Ad copy, Featured articles, Webpages, Product write-ups, Menus, blurbs, Services, Lists. Underneath this the text reads "Unstructured..." and then "YUCK!"

These days, brands and websites are churning out more content than ever before in an effort to keep up with each other: blogs, ad copy, sponsored content, product write-ups, ordinary webpages and lots more.

“We’re trying to feed Google – the baby – great content information that, to some degree, it doesn’t want,” said Ward.

At least, not in a form that it can’t easily interpret.

“We pump out so much content that it is very difficult for Google to analyse it and to know what we’re talking about. And it’s partially because it’s unstructured content.”

As an example of how confusing this can be in practice, Ward looked at the search term “tombstone”, which has a whole array of possible meanings: Tombstone is the name of a popular 90s Western; it’s the name of a town in Arizona (for which the film was also named); a word meaning ‘headstone’ or ‘gravestone’; a brand of pizza; a Marvel comic book, and more. Which of these is going to be most relevant to the searcher?

A Google search results page for the keyword "tombstone". A drop-down list below the search bar shows the suggested searches "tombstone - film" and "tombstone - city in Arizona" as well as "tombstone cast" and "tombstone pizza". The search results mostly relate to the film Tombstone, and also include a Twitter user named TheLivingTombstone.

Of course, part of the game here is trying to guess what the searcher intends when they search for the word “tombstone”. But in our content, as well, we have to make it clear which “tombstone” we’re referring to, so that Google can more easily hone in on the right content and serve it to the user.

If you have a webpage about tombstones, and Google can’t tell whether it’s about headstones or pizzas, it won’t be able to show it to a user who is searching for one or the other.

Search engines want to provide their users with more rich data in search results: useful information like event dates, reviews, menus and other details that can answer their query at a glance, or at least help them decide which result will be the most relevant.

Ward quoted Sundar Pichai, the CEO of Google, who in his keynote speech at Google I/O, said,

“It’s not just enough to give [users] links. We really need to help them get things done in the real world.”

Ward believes that Google is working towards an eventual solution which means users will never have to open an app or website.

While this sounds like a very distant future (after all, there are bound to be some circumstances in which users are searching in order to find a website or app, not just an answer from Google), there’s no denying that Google has taken a huge step in this direction in recent years.

Putting definition around the cow

So what can content creators do to move with this trend, and set their websites apart from everything else in the vast sea of online content?

Warner showed a black-and-white photograph, which has been used by Ellen Langer in her work on mindfulness, and asked webinar attendees to volunteer what they thought it was a picture of.

cow illusion

Suggestions came back: a turtle, a skull, the Hindenburg. But when a few guiding lines were added to the image, the subject became clear: it is in fact a picture of a cow.

cow illusion 2

“Now that you see it, it’s impossible to unsee it,” said Ward. “There’s a lot of relationship around that, where just a little bit of definition can burn a pathway. And search works a lot like that.”

In other words, content creators need to put that bit of ‘definition’ around their content in a way that tells search engines what it represents, and what type of content it is. There’s a way to do this using search engine ‘language’, and it’s called structured data.

Structured data has been around for a few years now, and is known as a way to help search engines assess and understand content in order to better place it on the SERP. Yet in spite of this, a shockingly low proportion of website owners actually make use of it.

The Schema.org logo, consisting of white sans-serif text reading "schema.org" on a dark red background, with a slight shadow around the letters.

Take Schema.org, a markup language that is the result of a collaboration between Google, Bing, Yahoo! and Yandex to create a structured data vocabulary that can be understood by all search engines.

A study by Searchmetrics in 2014 found that 36.6% of Google search results incorporated Schema rich snippets, yet only 0.3% of websites actually made use of Schema markup at all.

The study also found that pages which used Schema ranked on average 4 places higher in search than pages which didn’t, although Searchmetrics was keen to emphasise that this might not be entirely down to structured data.

But search results which use Schema are widely agreed to result in higher click-through rate, as they include more useful, relevant and attractive information like pictures, reviews, opening hours, pricing information and more.

So since this study was conducted two years ago, has the number of pages marked up with Schema increased significantly?

Ward did some quick calculations. The Schema.org website proudly proclaims that “Over 10 million sites use Schema.org to markup their pages and email messages.”

A slide from Christian Ward's webinar with white text on a dark background. The title is "Really? 10 Million?" and the text reads, "We passed one billion websites in September of 2014, and it's closer to 1.08 billion today. 10,000,000 divided by 1,080,000,000 = 0.926%. Less than 1%. Nice work, everyone!"

While this figure might sound impressive, it becomes less so when you realise that we passed one billion websites in September 2014, and the number today is closer to 1.08 billion. 10 million as a percentage of 1.08 billion equals… 0.926%. That’s an increase of only 0.626% since Searchmetrics’ study, and still less than 1% of the total websites out there.

“It’s staggering,” said Ward of the low number, “when you think of the ramifications of how much better search does when we can explain it.”

It’s not easy speaking search engine

So then why do so few website owners and content creators use Schema markup on their sites? “There’s a good reason for this,” Ward said. “We all know this is hard work. I don’t think it’s that we mean to be lazy, I just think that ultimately this is very hard to do.”

Until quite recently, for example, all Schema markup code had to be added in-line around the individual elements of the page.

Every element, from addresses and opening hours to reviews, needs to be defined individually with Schema, resulting in a lot of coding legwork and no small amount of headaches when it came to fitting it in with all the other code already on the page.

restaurant schema example

Just like any other language, learning to ‘speak’ search engine is going to require a lot of investment of time and effort. But, Ward maintains, it is definitely worth our while.

“This effort is a way to truly distinguish the work that you do and the work that our community does on behalf of our customers and clients. It just takes a lot of time.”

He pointed to the example of a search for the latitude and longitude of the Empire State Building, the answer to which is displayed in Google’s knowledge graph at the top of the search results page.

The website which provides this information uses Schema.org markup to point Google to where the relevant content is on its page, resulting in the “great user experience” of “one solid answer.”

lat-long schema example

And best practices around structured data are constantly evolving, making it easier for website owners to incorporate it into their code. Google used to only support Schema markup if it was written inline, insisting that the markup needed to be “visible to human users” as well as search engines.

But it has since reviewed this stance and expanded its support for a type of notation called JSON-LD, which allows structured data to be added to the header and footer of a page instead of inline.

Google’s introduction to structured data on Google Developers now states outright that JSON-LD is the recommended markup format for structured data.

“Schema, its use, and the taxonomies – they’re evolving constantly,” said Ward. “We have to get more involved in this process, as a community. We need to be working with Google, and with Yandex, and Yahoo! and Bing.

“Let’s start banding together to try and get some structure out there.”

A screencap of a Siri voice search asking "How big is the Serengeti?" Siri's answer pertains to the breed of cat, answering "Medium", rather than to the region in Africa.

If you need just one more reason to start incorporating structured data into your website markup, it should be the rise of voice search.

Ward cited statistics from Mary Meeker’s recently-released Internet Trends report which show that the volume of Google voice search queries is now 7x what it was in 2010, with 65% of smartphone owners using voice assistants like Siri, Cortana and Google Now.

Users are getting used to being able to ask their voice assistants increasingly specific questions and get a single, definitive answer; but to make this possible, website owners need to be adding the structural markup around their information that will tell the assistant where to look.

“In the end, I want to be able to ask Alexa to email me the logo of the local 7-11, or, ‘Can you tell me if this place is closed or open right now? Do they have any specials right now? What’s the number one item on their menu?’” said Ward.

“All of that data has to be incredibly well-structured in order for us to get the result we’re looking for.”



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miércoles, 22 de junio de 2016

Renuncia el city manager de Miguel Hidalgo ¿Por qué es importante para el marketing?

Arne Aus den Ruthen Haag renunció a su cargo de city manager de la delegación Miguel Hidalgo en la Ciudad de México.

El anuncio de su renuncia fue reportado por medios como Milenio, y  aparentemente se trata de una medida temporal motivada porque el Invea, un organismo de verificación administrativa local clausuró un edificio donde el hasta hoy funcionario tiene participación accionaria.

Este suceso se convirtió en tendencia dentro de Twitter con el hashtag “Invea”.

hashtags data by hashtagify.me

La renuncia de Ruthen Haag recuerda su estrategia de social media marketing aplicada a través del uso de aplicaciones de streaming en vivo como Periscope, para reportar irregularidades en las vías públicas de la delegación en la que trabaja y que en diversas ocasiones, por ser casos de activismo social, han generado trending topics, por exhibir faltas cívicas como tirar basura en la vía pública o apartar espacios vehiculares en ella.

Esta participación en redes sociales es parte de una tendencia en la que servidores públicos mexicanos hacen cada vez más uso de sitios como Twitter o Facebook, con resultados en millones de vistas.

Arne cuenta en Twitter con más de 87 mil 478 seguidores mientras que en Facebook reporta más de 119 mil me gusta.

Los videos que publica en esta plataforma por ejemplo, han alcanzado hasta 795 mil 312 vistas.

En YouTube, donde usuarios de esta red social publican en sus cuentas videos de Arne, estos han alcanzado más de 571 mil vistas.

Otros ejemplos de políticos mexicanos con un impacto importante con las publicaciones que hacen en plataformas como Facebook, son la gobernadora de Sonora, Claudia Pavlovich, quien en un video llamado “Mensaje de la Gobernadora Claudia Pavlovich Arellano” sumó más de cuatro millones 328 mil vistas.

Estos casos ponen sobre la mesa la importancia que tienen las redes sociales para llevar a cabo activismo social y dar una nueva oportunidad al marketing político en México, de comunicarse con los ciudadanos a través del lenguaje de trending topics o viralidad cada vez más presentes en el mercado ya no solo de consumo, sino político.

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NIssan celebra a los fans y de paso se lleva un León de Bronce

Crear una campaña para una marca como Nissan no es fácil. Para lograr el reto se eligió a Critical Mass, una agencia que nació en 1996 en Canadá, curiosamente el primer cliente de alto perfil de la agencia fue Mercedes Benz. Es importante comprender que el segmento de autos ha seguido más o menos la misma fórmula de ventas durante años, es improbable ver una campaña de la industria que no tuviera un vehículo presente. Para Nissan se volvió evidente que para conectar con una nueva generación de consumidores tenía que recorrer un camino que en parte se asemeja a native advertising y en otro a contenido generado por el usuario.

Con el fin de apelar a los aficionados más apasionados se creó el app DieHard Fan. La clave fue crear una aplicación que fuera auténtica. EL resultado es una app móvil que permite sobre poner pintura sobre una foto, así el fan puede demostrar su compromiso al equipo sin necesariamente tener que quitarse la mascara al final del día. De logró fusionar tecnología de avanzada de reconocimiento facial con el arte clásico de la pintura de la cara. Cada opción se pintó a mano y desplegó sobre cara con tecnología digital con el fin de entregar resultados sumamente realistas. Esta técnica reconoce sutilezas como expresiones faciales, los ángulos y sombras, entre otras.

La herramienta de inmediato permitió que la rivalidad entre equipos saliera a “flor de piel”. La aplicación promete más de 1,000 combinaciones distintas. La campaña requirió de publicidad dirigida al consumidor basada en la ubicación o location based advertising, además se implementó una estrategia de redes sociales y la presentación en eventos. En una entrevista con Chris Gokiert Presidente de Critical Mass para Merca2.0 se confirmó que pronto se podrá hacer uso de esta app para equipo de la liga mexicana de futbol.

Group Strategy Director: Chrissie Graboski
Group Creative Director: Jordon Mowbray
Director de estrategia: Kerry Janes
Director de Copy: Peter von Sass
Director Creativo: Masanori Benno
Director de arte: Darren Wood
Director de arte: Martine Lavoie
Director de arte: Jordan Natyshen
Director de arte: Andrzej Milosz
Diseñador: Javier Olivares
Chief Creative Officer: Conor Brady
Diseñador: Jon Temple
Diseñador: Victoria Williams
Diseñador: Zhen Huang
Diseñador: Tomoki Iwamoto
Productor Ejecutivo: Alissa Hansen / Critical Mass Executive Producer
Arquitectura de Experiencia al Usuario: Annie Tat
Gerente de Proyecto: Cara Woo
Director Creativo Ejecutivo: Steve Savic
Gerente de Proyecto: Jason Mack
Director de Cuenta: Matt Ochab
Gerente de Cuenta: Stephanie England

 

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lunes, 20 de junio de 2016

Just because they’re sharing, it doesn’t mean they’re reading

If you’re visiting this article before or after sharing it on a social channel, then may I offer you a warm welcome to an increasingly exclusive club. For you are just one of the 41% of people who not only shared the article but actually read it too. 

In news that will embolden some, depress others and possibly surprise nobody, a new study by computer scientists at Columbia University and the French National Institute reveals that 59% of links shared on social media have never actually been clicked.

As the Washington Post put it this weekend in one of their best headlines ever – 6 in 10 of you will share this link without reading it, a new, depressing study says.

Back in 2014, it was estimated that social media referral was responsible for 30% of total visits to websites. However according to the research published by HAL (yes, a group of computer scientists publish their research under the name HAL, what of it? Why are you terrified?) and using a dataset amounting to 2.8 million shares, 75 billion potential views and 9.6 million actual clicks to 59,088 unique resources, most people just retweet news without ever reading it.

According to the study’s co-author, Arnaud Legout, “This is typical of modern information consumption. People form an opinion based on a summary, or a summary of summaries, without making the effort to go deeper.”

These blind retweeters are also, worryingly, shaping the news agenda, by sharing what is already ‘viral’ and adding to social platform’s ‘trend-watching algorithms’ without first stopping and reading what they’re actually doing.

Or are our favourite news sources so trustworthy that we can put blind faith in anything they publish? To be honest, Facebook will probably just ignore much of the above anyway.

For proof of this, you need not look any further than May 26, when a certain social media manager (*cough*) tweeted the following headline but accidentally forgot to include the link to the article.

And yet the tweet enjoyed 25 retweets and 28 likes. That’s one of our most popular tweets, and yet not one person noticed the lack of link. Maybe that’s the key for us… black and white photo + non sequitur headline – link = engagement gold.

A peek behind the wizard’s curtain

To add our own two pence (or cents depending on where you are right now) to this debate, let’s open up our own analytics and let you see what influence SEW’s social channel on traffic to the site.

Here are our own Twitter analytics for May 2016…

twitter analytics May

A ‘robust’ 2.5 million impressions from only 465 tweets is pretty good. But what about actual click-through rate (CTR)?

Let’s take a look at our top tweet in May…

twitter analytics top tweet

The impressions gained from its 29 retweets resulted in 18,202 impressions and ultimately 40 link clicks. This means it had a CTR of 0.2% which is about our average. Sadly, this is a little lower than the industry average for a following of our size.

According to Hubspot the average Twitter CTR is 1.64%, and the more followers you have, the fewer clicks you’ll receive on your tweets.

  • Users with 50 – 1,000 followers had a 6.16% CTR.
  • Users with 1,000 – 5,000 followers had a 1.45% CTR.
  • Users with 5,000 – 10,000 followers had a 0.55% CTR.
  • Users with 10,000+ followers had a 0.45% CTR.

And according to this Quora forum on Twitter CTR, links shared by Mashable’s Twitter account, despite its 7+ million followers, results in a CTR of just 0.11%.

If that’s not enough to get you completely down heartened, let’s open up Google Analytics and see how much traffic social drove to SEW in May.

social analytics

Over the course of 31 days in May, only 4% of our total traffic came from social. The majority of our traffic comes from organic search (as you would hope and expect from a site with ‘search engine’ in the title), with direct, email and referral all coming in above social.

To break it down further by social channel, it’s 47% from Twitter, 24% from Facebook, 11% from LinkedIn and, uh, 0.3% from Pinterest.

However if we look at Twitter, the most popular social channel we operate, it drove more than 16,000 sessions to the site, 40% of which are from unique users.

So despite a low CTR, these are fairly considerable numbers, and certainly the research presented by HAL should not be used as an excuse to ‘switch off’ your social activity. In fact if anything, this is a good excuse for us to take a good look at our Twitter strategy and see how we can improve things.

Remembering to add links to tweets would be a good start.

Finally, you should also be aware that, if your boss is asking for ways to measure your content’s engagement, a simple ‘number of retweets’ isn’t good enough.

Update: I just tweeted this article. It IMMEDIATELY got 3 retweets within 30 seconds.



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viernes, 17 de junio de 2016

Should publishers and content marketers be playing the platform game?

The early 2000s saw the advent of platforms on the web: somewhere that bloggers and publishers could host their content without having to worry about the back end, while still maintaining control over their own outlets and what they posted.

More than a decade later, and many of the social media platforms of today are starting to suspiciously resemble blogging platforms, becoming a place for users to publish content instead of just share links and brief updates. At the same time, huge companies like Facebook and Google have developed native publishing platforms aimed at providing a superior user experience for an increasingly mobile audience.

We have a wider choice of platforms to publish to than ever before, and each is promising the fastest, shiniest interfaces that will put our content directly in front of huge audiences we can’t reach through other means.

But how can we manage to spread ourselves between so many different outlets, and what are the drawbacks of these platforms? Veteran digital journalist and university lecturer Adam Tinworth gave a presentation at CMA’s most recent Digital Breakfast on ‘playing the platform game’ which looked at what this plethora of new tools – and gatekeepers – means for online content.

Social publishers and walled gardens

In 2015, we reached a watershed moment: in June, Facebook surpassed Google as the top referring site to publishers, according to Parse.ly. Clearly, we are now living in a very different internet age, in which social publishers dominate over search engines as a means of distribution and referral.

Tinworth remarked in a panel discussion later in the Digital Breakfast that social networks have taken over from search engines in the role of “finding something to read” online, leaving search engines to fill more of an “answer engine” role. This has huge ramifications for both SEO and social publishing, some of which are already being felt, and others which will make themselves known further down the line.

A graph by Parse.ly showing referral traffic for Google's various properties (including search engines and Google News) versus Facebook between April 2012 and October 2015. The Facebook line starts off much lower at around 10% of referred traffic, with Google between 30 and 40%. It climbs steadily upwards while Google declines slightly, briefly overtaking it in October 2014, before overtaking it for good in June 2015.

The other huge trend affecting the way that traffic reaches sites online is of course mobile. An Ofcom report from August 2015 declared that the UK is “now a smartphone society”, with 2/3 of Britons owning a smartphone and 33% seeing it as the most important device for going online, above laptops at 30%.

The trend towards mobile has affected the types of platforms springing up that we can publish to. Take Snapchat, the ultimate mobile-native social app, whose Discover publishing platform was just revamped to become much more visual, allowing users to more easily browse content at a glance.

Although Discover is only available to a select few publishers, many more brands and businesses use Snapchat for content marketing, and the redesign shows that Snapchat is serious about pushing further into the publishing space.

Two side-by-side screenshots showing the new, more visual, Snapchat Discover, with large picture thumbnails of Discover stories overlaid with text.The new, more eye-catching Snapchat Discover

Meanwhile, publishing platforms like Facebook Instant Articles and Google’s Accelerated Mobile Pages (AMP) have come about with the goal of providing users the best possible experience in mobile. They aim to load fast and look sleek, getting rid of the distracting artefacts which clutter the desktop web to deliver a streamlined product.

Instant Articles and AMP, while they are often mentioned in the same breath, take fundamentally different approaches to providing a better mobile experience. AMP is an open-source project aimed at reinventing the code on which the mobile web runs (from HTML to AMP-HTML), and can be used by anyone to build a faster mobile site. Instant Articles is more selective and restrictive, requiring publishers to have a Facebook page, and allowing them to begin publishing subject to having a sample of their content reviewed by Facebook.

A screenshot of guidelines for Facebook Instant Articles, stipulating that publishers must create at least 10 articles in their Production library before submitting for review, and the Facebook team will review the articles and provide feedback within 3-5 business days. Below this, a notice states "Your review is currently pending. Article reviews are usually completed within 3-5 business days."

But both companies ultimately have the same goal with their platforms, which is to keep users within the spaces they own, their walled gardens, for as long as possible. Readers who click on Sponsored links in Facebook Instant Articles find themselves redirected to other Instant Articles, still within Facebook; and Accelerated Mobile Pages allow you to swipe between news stories without leaving Google.

Other new publication platforms like Apple News have the same basic aim. Even Medium, which appears at first brush to just be another, more social-oriented take on the blogging platform, forces writers who publish with it to give up much of the editorial control they would normally enjoy over how they offer their work, in order to produce content (and revenue) for someone else’s branded platform.

As Tinworth put it in his presentation, “There’s a whole new set of gatekeepers between us and audiences.” But if you can connect with much bigger audiences than you would be able to reach without them, then it’s worth it, right?

The danger of sites as gatekeepers

As we’ve established, publication platforms like Facebook Instant Articles and Medium can provide excellent user experiences, but at the cost of giving over control of your content to the brand whose platform you use.

There’s another, more general, drawback to this proliferation of platforms, which is that suddenly publishers are having to publish to a whole range of different formats. Publishers who are serious about social media, said Tinworth, have known for some time that you need to insert certain metadata in order to do well on those sites, making sure that your social posts look clean and carry the right information.

A slide from Adam Tinworth's presentation entitled "Existing Metadata" with two screenshots of social posts, one on Twitter and one on Facebook. Both have a short comment by the poster above, followed by a card showing a picture, headline and two-line content preview.

Multi-platform publishing takes this to the next level, requiring publishers and content creators to cater to wildly different formats: the requirements for Facebook Instant Articles are different to AMP, which is different to Apple News, which is very different to Snapchat, and so on. But if you want to get engagement on these platforms, this is the game you have to play.

“It’s complicating what was a fairly simple and opening publishing format,” said Adam Tinworth.

The danger of putting these different companies (Google, Facebook, Apple) in front of our content as gatekeepers is that they start to call the shots and tell us exactly how we ought to publish.

So, away with platforms, then? Should we all stick doggedly to hosting all of our content on domains and websites that we have complete ownership and control over? Well, not necessarily. There’s still a lot to be gained from publishing to platforms, and ignoring them means missing out on a great deal of opportunities to connect with the audiences who use them.

What’s good about publishing to platforms?

As Tinworth pointed out, we can’t afford to ignore platforms: they’re incredibly valuable for finding audiences and getting our content out there. And there are other good things about publishing to them.

Platforms are rich experiences where people hang out online, and deliver good traffic and interaction. Posting content there can provide a huge visibility boost, especially if the platform features it in some way; and it reduces the need to drag people, by hook or by crook, over to your own website when they’d rather not go.

A presentation slide detailing the good aspects of publishing to platforms. The bullet points are as follows: Rich experiences where people hang out online; Deliver good traffic and interaction; Often favoured by the platforms; Reduce the need to drag people to your own site.

Mike Burgess, another speaker at the Digital Breakfast, also advised that you can have success by being early onto platforms even when they’re not that successful overall, like Apple News.

Of course, there’s also the bad, which I’ve given plenty of attention to in this article: publishing to multiple platforms means more APIs and feed formats to support, and that extra bit of distance between you and your readers. It’s harder to get access to meaningful analytics, which can be issued at the discretion of the platform, and we’re at the mercy of the platform in other ways – including if they decide to charge.

A presentation slide detailing the bad aspects of publishing to platforms. The bullet points are as follows: Lots of APIs and feed formats to support; Distancing relationship with readers; Analytics can be tricky; We're at the mercy of the platforms; And they do like charging...

Where does that leave publishers who want to get the greatest returns out of the platform game, however that might mean playing it? Ultimately, said Adam Tinworth, the trick is to play it strategically. It’s inevitable that publishers will have to play the platform game, and the key is finding the platforms that the audience you want to target are using.

Mike Burgess gave an excellent example of this in his own presentation when he talked about travel brands on Instagram. Instagram is home to an absolute wealth of travel-related content, with 353 million travel-related hashtags on the app.

People turn to Instagram in droves for inspiration on where to go for their travels, spending an average of 21 minutes per day perusing the app; and yet the travel industry has been the second-slowest (after financial services) at adopting and making use of Instagram.

Businesses can’t afford to be too high-minded about platforms and social publishing, for fear of missing out on golden opportunities like these. At the same time, it’s also worth being aware of the risks and drawbacks, and keeping an eye on them so that you know if they ever start to outweigh the benefits.



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Five of the most interesting search marketing news stories of the week

It’s Friday once again, and time for a round-up from the world of search marketing.

This week we have App Store search ads, the ability to compare search queries in Search Console, and more ad tests from Google…

Web users think most outbound links are commercial

A study by Dan Petrovic, aka @DejanSEO, looked at the attitudes of 2,000 web users in the US and Australia around the reasons why web publishers link out.

The research found that more than 40% of users think that outbound links another are there because they generate revenue for the publisher.

‘Marketing Advertising & Revenue’ was seen to be the number one reason why a link exists, with almost a third of users expecting there to be some sort of commercial arrangement behind links.

outbound links study 2016

Apple introduces search ads to the App Store

Apple announced this week that it will allow app developers to pay for a slot at the top of searches on the App Store.

Search Ads App Store Apple Developer

Google tests out ‘top-rated’ shopping ads

Another week, another Google ad format test. This time a new way of displaying shopping ads according to user ratings. 

top rated ads

Comparison reporting in search analytics

As reported by SEMPost, Google has now added the ability to compare search queries within Search Console.

Here we can see ‘seo basics’ battling Chuck Norris…

compare console

Everything’s gone green

We reported back in March that Google had been testing out green labels for PPC ads, and now they’ve rolled out everywhere.

It seems the tests must have delivered a positive result for Google, and these green labels are delivering more clicks for advertisers.

green ads

Could this be because the green ‘ad’ text blends in, making these ads look less like ads? I’ll let you decide…



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How brands are using data visualisation in social campaigns

In this post, I’ll look at how brands are making the most of data visualization and data-informed product design to bring out data’s creative side.

Prompted by the agenda of a conference I recently attended, I asked myself a random question: is big data actually still a thing?

My conclusion was that it is, and is likely to remain so in the near future, though in a slightly different way. My view is that we will be seeing a lot more of data’s creative side.

So what it is data’s creative side?

The developed area in this regard is probably data-informed user experience (UX) design. But this is just the tip of the iceberg.

There are (at least) two further areas of data-centric creativity that are growing rapidly and worth a closer look.

1. Data visualization – the communication of data in an easy to digest way

All the data in the world doesn’t mean anything if it cannot be understood clearly. For it to be understood, it should be communicated in an easy to digest manner. And that’s where data visualization comes in.

The visualization of data is often overlooked, especially here in Asia. If you’re guilty of doing so, here are two consumer-facing campaign examples that should put the presentation of data back on your radar.

Netflix: #Cokenomics

In order to promote the TV show Narcos, which tells the story of Pablo Escobar, Netflix created infographics that brought the economy of the Columbian cocaine trade to life in a socially engaging way.

Netflix built a whole campaign around the Columbian cartel’s cocaine data under the hashtag #Cokenomics.

pablo

The Twitter account @NarcosNetflix has almost 67,000 followers and posts regular tweets such as this one:

Here’s an example of content for Instagram:

Data Visualization_Netflix_Cokenomics_Mistress campaign_Instagram_600

The agency behind the campaign – Mistress – says its initial campaign drove more than 100,000 engagements.

Spotify: Found Them First

Spotify’s Found Them First gave music fans a way to prove that they were really into certain bands and singers before they actually became famous, for the bragging rights.

Users’ listening data was used to show users all the artists they had discovered ahead of other Spotify listeners.

Within weeks of the launch in October 2014, the campaign had received more than a million visits and 100 million social media impressions, all without any media spend.

Data Visualization_Spotify_Found them first_600

Data tools

Data doesn’t actually need to be communicated to customers directly in most cases, but it’s important to get this across to internal stakeholders.

For such circumstances, there are several tools that can help you avoid the all-too-common walls of text with stock charts presentations, and substitute them with something a little more engaging and inspiring.

For example, if you are looking to beautify your charts, graphs, maps and timelines, check out the likes of RAW, Datawrapper, and Timeline JS.

Should you have a little more time on your hands, and you also know how to code, have a look at D3.js, which comes highly recommended by my own team’s creative technologist.

If you really want to up your data visualization game, you can take some inspiration from Hans Rosling, known for his unconventional ways of bringing subjects such as population growth and income equalities to life in a more tangible way.

2. Data-informed product design

Another space to watch is data-informed product design. Now I’m not talking here about your typical research-initiated product innovation cycle. I’m talking about an evolution of data visualization that quite literally and directly translates data into an actual product.

Here are three of my favorite projects within this space. I can’t wait to see more like this.

Flowing Data: Multivariate Beer

Nathan Yau from Flowingdata took U.S. demographics to brew four different types of beer.

For example, he mapped population density to the total amount of hops, and ethnicity to the type of hops used.

See Flowingdata’s website for a more detailed description of the process and other ways it transforms data.

Data Visualization_Flowingdata_05-Bottles_600

Tempescope

This was invented by Japanese software engineer Ken Kawamoto. It’s a device which displays either current weather conditions or forecasts them physically.

Meshu

This is a concept which takes important life locations such as cities or even specific street addresses, maps the paths between them, and finally transforms them into a piece of jewelry.

Data Visualization_meshu_600

The examples above demonstrate that there are no boundaries to data’s creativity, though a lot of it  is still driven by artists, entrepreneurs and scientists. I hope that, in future,  the marketing and advertising industry will recognise more strongly the beauty that lies within data and the compelling stories it can tell.

Storytelling is after all, a major part of our jobs.

We have moved far beyond the question of whether data enables or hinders creativity. The question nowadays is how can data itself become even more creative?

Have anything to add? Please let me know in the comments section below.

*Featured image: Spotify / Found Them First



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